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Measures: < 20
Unique Durations: 4-5
Unique Notes: 16 - 20
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choir
Come Home Againe!
Richard Syner
0:55 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ (or
piano)		 Treble 12 10 2 5 100%
Bass 18 22 3 4 82%
Voice Treble 9 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ (or
piano)		 Treble 12 10 2 5 100%
Bass 18 22 3 4 82%
Voice Treble 9 0 2 5 100%
 
20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
20. Es ist vollbracht! (without lyrics), Schemelli, J.S. Bach, BWV 358.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
20. Es ist vollbracht!, German Lyrics, Schemelli, J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
20. It is finished. English lyrics, Schemelli, classic baroque style (lyrics), J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
191. Zingt, o hemelkoren.
SDG
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 11 0 2 4 100%
Bass 16 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 11 0 2 4 100%
Bass 16 0 4 4 100%
 
20. It is fulfilled, English lyrics, modern version, Schemelli, J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
Chorale in Ab for SATB (or four voices)
studiojimsmusic
0:30 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 5 100%
T B Bass 17 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 5 100%
T B Bass 17 0 1 4 100%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
Hymn To Freedom
Arnaud Calmettes
0:58 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 4 4 100%
T B Bass 16 0 3 3 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 4 4 100%
T B Bass 16 0 3 3 86%
 
111. Gib dich zufrieden und sei stille. BWV 315.
SDG
0:58 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 13 0 2 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 13 0 2 4 50%
 
86. Es ist das Heil uns kommen her. BWV 86 #6.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 18 0 4 4 100%
Contrabass Bass 13 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 18 0 4 4 100%
Contrabass Bass 13 0 2 3 50%
 
106. Für Freuden lasst uns springen. BWV 313
SDG
0:48 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 21 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 16 0 4 4 50%
Voice Treble 2 0 0 1 6%